VOCAL HEALTH TIPS FOR COLD AND FLU SEASON

 

YOUR FREE VOCAL TIP:  HOW TO KEEP YOUR VOICE HEALTHY DURING COLD AND FLU SEASON!

 

I am often asked by my students “How can I keep from getting sick, or if I do catch a cold, how can I get my voice back to normal as soon as possible?

During the winter months, good hand washing and sanitizing are even more important.  Germs are transmitted from the hands to the mucous membranes any time you touch your eyes or your nose.  Carry a portable hand sanitizer with you at all times and use it frequently throughout the day.  Sneeze and cough into the crook of your arm, rather than your hands, and encourage others to do likewise, to prevent the spread of germs.

Anything that can affect your health, body, skin or mood can affect your singing. The most important element (other than good technique) is WATER. The vocal cords need to remain hydrated (wet) in order to function optimally. Most people do not drink enough plain water, and singers need to drink more water than the average person in order to maintain vocal health. The motto is “pee pale”. That’s right, the more clearly you tinkle, the happier your vocal cords are!

Air conditioning and heating units take moisture out of the air, affecting the hydration of the cords. Inhaling steam or cool mist will help replace the lost water.

You should also be aware that, because of the functioning of the epiglottis, nothing you drink actually touches the vocal cords, so the old “tea and honey” remedy, while it might feel nice, does not affect the vocal cords (although it may provide a soothing effect to the tissues of the throat).  The only way to affect the vocal cords is to inhale steam or mist onto them.

Steam or mist, if inhaled, will hydrate the cords and help minimize swelling. I encourage singers to invest in a portable facial steamer (found at any drug store) and inhale steam several times a day if you are dealing with swollen vocal cords. (Make sure you sanitize the unit daily).

I also recommend using a “NETI POT” to clear out sinus cavities.  The use of a neti pot requires mixing up a saline solution that will be poured through the nasal passages.  The neti pot used with a saline solution has been shown to be an effective treatment for hay fever,  sinusitis, and other nasal conditions.  Nasal irrigation is used by many professional singers to remedy sinus dripping.

Humidity, steam, mist, drinking water, and warmth are good for the vocal cords; smoke, pollen, dry air, air conditioning and heating, caffeine, alcohol and drugs are dehydrating and therefore BAD for them!

Some singers find that dairy products like milk or cheese cause thick mucus, so these products should be avoided on performance days. Allergies are also mucus producing, but you should avoid most antihistamines because they are too drying. If you must take them, counter the dehydrating effects with plenty of water and steam. Breathing through a warm wet towel will do in an emergency, as will inhaling steam from boiling water, or the local gym’s steam room.

Acid reflux is a problem many people do not even know they have. It occurs when stomach acid regurgitates up onto your esophagus, touching your vocal cords and damaging the cords and surrounding tissue. You can address this common problem by avoiding late night eating and by sleeping with your head elevated. Check with your physician- there are new medications that may alleviate this issue for you.

If you are sick or vocally tired, you need rest.  Avoid talking or even whispering.  Whispering is not a healthful solution when your vocal cords are swollen.  Never talk loudly or sing when your vocal cords are swollen- you may be encouraging vocal nodules.  Instead, silence, rest, and steam will get you on the road to recovery.  Lip and tongue trills can be helpful once you are on the road to recovery.  Generally, instead of singing during this time, just listen to your old voice lessons.  In that way, you are training “aurally” instead of “orally”.

HERE’S TO A HAPPY AND HEALTHY FALL AND WINTER!

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HOW TO SING IN MIX- ALL ABOUT BRIDGES

WHAT IS A “BRIDGE”? HOW DO I KNOW WHERE MY “BRIDGE” STARTS?

Throughout the program you will hear terms like “registration”, “ head voice”, “middle voice”, “chest voice”, “mix”, “breaks”, “ bridges”.  All of these terms refer to the coordinating of the voice as a singer ascends or descends in pitch.

Bridges reveal changes in vocal coordination and occur in relatively predictable parts of the scale. If the bridges are not negotiated smoothly there may be an abrupt disconnection and interruption of vocal tone, known as “ cracking” or “breaking”.

Here’s how it works: the chest voice is your lower voice, which most people use for speaking. It feels as though the tones are coming straight out of your mouth when you sing, and you if you place your hand on your chest as you sing a note, you will feel vibration in your chest. As you sing a scale starting from your lowest note ascending upward, you will notice at a certain point that you will begin to feel a sense of “reaching” for the note, or perhaps a feeling of straining to reach the pitch.

You are now in your first passage area, or “bridge”. Think of this area as the passageway to your high notes. This first “bridge” is a critical area of the voice because this is where your outer muscles are most likely to try to “help” the process, by pulling and tightening in order to stretch the vocal cords to reach the higher pitch.  Or else, they let go completely and the result is a weak, breathy sound.

However with Sing Like A Star™ vocal training, you can overcome these issues completely! Your Sing Like A Star™ training will enable you to build a strong connection between the lower and upper registers, resulting in a smooth transition from the chest voice upward. With a good mix, or “middle” voice, you will ultimately be able to go up and down the entire range of your voice no with breaks, no uncomfortable weakening of volume or intensity, and best of all, a healthy flexible voice that will enable you to sing in any style!

Learning how to “mix” and transition through the bridges is one of the most important aspects of good vocal production.  Getting through the bridges requires a very subtle “hand-off” and coordination between opposing muscle groups.  This coordination is difficult if not impossible to teach yourself, since you cannot hear yourself correctly, dur to the design of our hearing mechanism.  You absolutely need a qualified teacher who can develop this vocal coordination in your voice!

At Sing Like A Star™ Studios, you will learn to sing stronger, sing higher, and sing with complete confidence, in all styles including Gospel, Blues, Rock, Pop, Jazz, Musical Theater, Classical, Country and R & B.  You will gain amazing high notes, great power and control, and the ability to sing licks, runs and vocal riffs, just like your favorite artist.  You will eventually develop your own unique style too!

Your voice will be healthy, strong, and beautiful, and you will experience freedom from vocal strain. You will be able to sing in your “chest” voice, and you will learn to “mix” into the higher registers so your voice will be smooth with no “register breaks”. Your range will extend dramatically.

You will learn to sing with “soul”, emotion, and flexibility. And, best of all, your voice will remain healthy for a lifetime of singing, if you continue to practice the principles of good vocal production that you will learn at Sing Like a Star studios.

Learning to mix, and sing through the bridges with ease and control, is a foundational cornerstone of the Sing Like A Star™ approach to vocal training.
To register for your professional vocal evaluation and consultation at Sing Like a Star Studios, please visit www.singlikeastar.com and click the “Get Started” tab.  Lessons are available in person, or by Skype, speakerphone, or Facetime.

For free singing tips and voice lessons, please subscribe to our You Tube channel at
http://www.youtube.com/triciagrey

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HOW TO SING BETTER- SINGING IN TUNE

Why do singers  sometimes sing out of tune?
Singing out of tune means that you are not singing the pitch accurately- you are either “flat” (too low) or “sharp” (too high).  Often singers who belt with too much chest voice sing flat-a common result of carrying too much weight up and reaching for high notes. The solution is to use less air pressure and volume, so you can find and develop the “middle voice”.

Similarly, pushing too hard can cause you to go sharp when too much air blasts against the cords. The solution is to achieve balance and coordination at lower volumes using less air pressure, and then slowly increase volume levels as your voice develops.

I occasionally work with singers in my studio who are “pitch- challenged”- that is, they cannot seem to match pitch at all.  Learning to sing in tune is more challenging for these folks, but it can be done.  Interestingly, many of these types of singers are also challenged when it comes to rhythm and find it difficult to know when to come in on a phrase of a song.

Ear training and rhythm training can be taught.  What may seem second nature to those who have been around music throughout their lives may seem like a foreign language to those who have not had exposure to music in school from a young age.  Students who have general music classes in grade school, and who have chorus and band opportunities in junior high and high school, find rhythm and pitch infinitely less challenging than  students who have not had such exposure.  The fact that music has been eliminated from many school curriculums is a travesty.

Singing “in tune”, also known as “good intonation” is a foundational aspect of vocal production.  Singing even slightly sharp or flat is likely to create the “cringe effect” in your listener.

Investing in regular voice lessons, recording yourself and listening back analytically for pitch, and putting in time at the piano or in lessons, with basic interval and ear training exercises are essential to building musicianship for singers.  After all, the voice is an instrument and the singer is a musician, and musical skills for all musicians are developed with consistent practice.  Many people mistakenly think that singing is “natural” and you either have a voice or you don’t.  Nothing could be further from the truth; singers need to develop musicianship skills, just as all musicians do. Your vocal coordination will improve as you practice vocal exercises, and your voice will be able to negotiate the desired pitches more efficiently and with more agility. Studying an instrument such as piano or guitar, and taking ear training and theory lessons from a qualified teacher will also help your ability to hear pitch.

To register for your professional vocal evaluation and consultation at Sing Like a Star Studios, please visit www.singlikeastar.com and click the “Get Started” tab.  Lessons are available in person, or by Skype, speakerphone, or Facetime.

For free singing tips and voice lessons, please subscribe to our You Tube channel at
http://www.youtube.com/triciagrey

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HOW TO SING BETTER- BELTING CORRECTLY

WHAT IS “BELTING”? DO I NEED TO BE ABLE TO “BELT” TO BE SUCCESSFUL IN POPULAR MUSIC?

Poorly trained singers often “yell”, particularly on the higher notes of a song, or when pushing for stronger notes. Directors and producers may demand that a singer “belt”  a song for greater dramatic effect.  Certain types of musical theatre roles are known as “belt” roles, while others are known as “legit” styles of singing.

Rock and gospel singing have traditionally required a loud and powerful upper register, which many people think of as “pure chest” voice.

When a singer sings entirely in chest voice, pushing for the high notes and spreading the mouth to a widened position, the larynx will hike and the vocal cords are stretched and hyper-extended. The results are: swollen vocal cords (which may develop nodules), distorted pronunciation, a decrease in vocal quality and control, and an inevitably shortened career. Belting, using only the chest voice, is unhealthy because you are using muscle to force the vocal cords to function in a way in which they were not designed to be used. The voice is not balanced, and the vocal range becomes severely limited. There are many teachers who teach so-called “broadway belt” or “rock” singing, by basically pushing chest voice up too high.  This is a very limited and vocally damaging approach to singing.

What is needed instead is a strong and powerful “mix” voice that sounds like the chest voice, but feels easy and free from strain.Unfortunately there are few teachers out there who really understand the science of teaching the “mix”, which is essential to a long and healthy vocal career.  Vocal superstition and misinformation abound, and many voices and potential careers are destroyed by misinformed teaching.

With Sing Like A Star™ vocal training, you will build a strong upper register that sounds like chest voice but feels easy and effortless.  This is known as the “mix”.  It takes time to  develop, but the result is a voice that you can count on for any style of singing- a voice that will stay healthy and strong for a lifetime of singing.

To register for your professional vocal evaluation and consultation at Sing Like a Star Studios, please visit www.singlikeastar.com and click the “Get Started” tab.  Lessons are available in person, or by Skype, speakerphone, or Facetime.

For free singing tips and voice lessons, please subscribe to our You Tube channel at www.youtube.com/triciagrey

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HOW TO SING BETTER- ELIMINATING VOICE BREAKS

WHY DOES MY VOICE CRACK WHEN I SING HIGH NOTES?

Almost every untrained singer experiences “voice breaks”. Some singers deal with the break by forcing the chest voice up, other singers are taught to sing in only the head voice, staying away from chest voice altogether, and others simply lower the keys of songs to avoid high notes. None of these solutions are correct, and all can result in limited choices in song material and an ultimately deteriorating instrument.

One reason a break occurs is that  excessive air pressure builds up and forces the vocal cords open, causing the voice to crack. This “air blast” causes the cords to tighten in resistance  and then release suddenly when they can no longer resist the overpowering air pressure.

Another reason for a vocal flip, or yodel, in younger or untrained singers is that they often don’t sing with enough energy, or connection to the body.  Singing requires a coordination between the vocal cords, which must “adduct” or come together properly, the air pressure from the lungs, and the muscles of the body which must supply a certain amount of support. With new or young singers there is often little or no connection to the body.

In many vocal techniques,  however, support is over-emphasized.  When the muscles of the body are over-engaged, the cords are not able to resist the increased air flow, and so they “jam up” and do not function freely.  Our objective in good vocal production is always balance between the vocal cords and the air pressure.  As the voice matures, the cords are able to resist greater air pressure more effectively, and more powerful singing is possible.
At Sing Like A Star™ you will learn to sing in a connected tone from your chest voice to your highest notes with no strain, because the correct amount of air is sent to the cords, allowing coordination to occur between the vocal cords and the air.

With Sing Like A Star™ training, you will learn to “mix” and connect the registers, and to negotiate the “ bridges” of your voice, (the areas of transition, where you might tend to incorrectly push chest too high, or else disconnect into a weak sound) which will allow you to sing with freedom, power and emotion in any style you choose.

Sing Like A Star™ training creates a balanced production, resulting in a smooth transition from chest voice to head voice, and no voice breaks or abrupt changes in the vocal quality as you ascend in pitch.

To register for your professional vocal evaluation and consultation at Sing Like a Star Studios, please visit www.singlikeastar.com and click the “Get Started” tab.  Lessons are available in person, or by Skype, speakerphone, or Facetime.

For free singing tips and voice lessons, please subscribe to our You Tube channel at
http://www.youtube.com/triciagrey

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